NAAN FILM REVIEW
Naan (2012)
Director: Jeeva
Sankar
Casts: Vijay Anthony,
Rupa Manjari, Anuya, Siddharth
Music: Vijay Anthony
Language: Tamil
Genre: Crime-Thriller
‘Naan’ is special as it marks the
debut of music director Vijay Anthony in lead role. Besides being the producer,
it is also significant as it also marks his 25th film as a composer.
It is not so common to see a music director taking a hero avatar and therefore
it have evoked much curiosity among the film circle. So does ‘Naan’ live up to
the hype?
‘Naan’ tells a story of a boy named
Karthik (Vijay Anthony) who kills his mother after witnessing an affair with a
policeman in his house. He enters the boys’ home and becomes a reformed man
when he is released.
However, things get heated up when he is stuck in a bus
accident. He takes up a dead man’s identity and makes it is own due to the
denial in society. He joins a medical college and meets Ashok. Life travels
smoothly for Karthik until his real identity starts to get washed out slowly.
The film travels in a relatively fast
pace and the twists and turns of the film is very well weaved creating the
right mood for a crime thriller. The first half especially is coloured well
with suspense at every scene and creates a nail biting experience. However the
second half becomes unfortunately predictable but the set up created makes the
film in whole a well-paced thriller with unique premise. Though, the illogical points at the climax
does dampen the spirit of the film.
Vijay Anthony gets a meaty role and
does a good job for a debut. He has underplayed his role and the result is
good. However at some parts he could be more versatile with his emotion.
Siddarth of ‘Aanandha Thaandavam’ looks fresh and excels in his given role.
Rupa have come up with a decent show while Anuya and Vibha have nothing much to
showcase. The casting of the film is
just right and well collaborated.
The technical aspect of ‘Naan’ have
really elevated the strong premise one step higher. First of all I would say
that editor Surya’s fast paced cuts is a major element of the film making the
sleek trailer even more engaging. It is definitely a plus that director Jeeva
Shankar also have handled the camera work for the film as it only intensifies
the vision of the maker. The high contrast lighting at the night scenes suits
the mood at the second half. Vijay Anthony has focused more on the background
score rather than the soundtracks as none of the songs meets the above average
mark. However in overall the technical team have painted the thriller with the right
colour.
‘Naan’ may not be a milestone of crime
thrillers but a decent show by the debutant Jeeva Shankar which is worth the
watch.
Verdict: ‘Naan’ is a well-paced crime
thriller with exciting twists and turns.
Rating: 3/5
Comments
Post a Comment