SAMAR FILM REVIEW
SAMAR (2013)
Director: Thiru
Casts: Vishal, Trisha, Sunaina, J.D Chakravarthy
Music: Yuvan Shankar Raja
Language: Tamil
Genre: Action- Thriller
Thriller is never an easy
genre to conceive convincingly especially when there’s a need to hold the
audiences’ attention from start to finish. After tasting a moderate success
with the fun filled Theeratha Vilayatu Pillai, director Thiru have
joined hands with Vishal once again. With Yuvan’s album failing to impress, Samar
opened with a mediocre impression, falling behind the other two Pongal releases
in pre talks. So will Samar display a ‘tortoise and hare’ act by proving
otherwise?
Synopsis
Shakthi (Vishal) a forest trekker is always busy
with his work and often fails to pay sufficient attention to his girlfriend,
Roopa (Sunaina). When things hit a peak, Roopa decided to break up with
Shakthi. When Shakthi starts to dwell in sorrow, unable to forget Roopa, he
receives a courier from her, inviting him to Bangkok to reunite with him.
Enlightened with that news, Shakthi flies to Bangkok where he also gains the
friendship of Maya while travelling. Unfortunately, Roopa fails to turn up and
Shakthi decides to wait at the park each day believing that she will turn up.
However things start to flip when Shakthi is being
chased by a mafia gang one day and gets saved by another group of businessmen
who claims him as their boss. What is happening around him and is Shakthi really
the person who everyone claims him to be?
Story –
Screenplay
Thiru have decided to go serious throughout and
never deviates from the main plot at any point of the film. This makes Samar
an honest attempt as a dedicated thriller.
The first half of the film sets the pace early and
it gets bigger and bigger as the film unveils. The set ups make us guessing
what could be the big piece of the puzzle. Thiru have managed to hold the
audiences’ attention by packing the screenplay with unpredictable twists and
turns. When you are guessing that this might be the reason, he shifts the gear
and gives us another. This puzzle like structure is the biggest strength of the
film.
Every character has a purpose in the film which
drives the mystery further and ends with a bang. Thiru have decided to make
this more realistic and subtle, contrasting from his previous venture. His maturity
is clearly evident in this film
On the flip side, when the knots are untied, one
might get the feel that the driving source could have been more convincing. The
big set ups might also be the reason for the unsatisfied feel at the 2nd
half.
Other than that, Samar is a neat, intelligent
thriller.
Casting & Performance
Vishal scores big with Samar, with an underplayed
performance, which we have been missing since Chellame. His subtle dialogue delivery,
dedicated action sequences and emotional scenes are sure a big strength for the
film to work as it trails from the perspective of his character. No doubt this
is his best performance out of his list of commercial films.
Trisha gets a meaty role and fully utilizes it. As
a seasoned performer, she has given a solid support to Vishal. Kudos to her
effort to dub for herself but her rendition at times, looks forced.
Sunaina’s extended cameo is average while the
villain duo JD and Manoj are apt as eccentric businessmen.
In overall, the full list of cast has been picked
carefully which results in power house performances.
Technicality
Technically, Samar gets
aided well with talented bunch of technicians.
Firstly D.O.P Richard has
given a sleek look with his stylistic angles. His camera travels as an
emotional enhancement at each part of the film and his angles support the
necessary moods needed.
Same goes for Editor
Ruben who has tried his best to cut the film and package it in international
standards.
Art direction by Jacki
is also a big support for Thiru to make the film a sleek thriller. The sets and
costumes give a perfect illustration of the rich circle of Bangkok.
However, after
displaying a fine show in Poda Podi, Dharan’s
BGM have fallen flat big time. Most of it sound loud which seems like a gimmick
to enhance the mystery. As the film gives limited space for songs, Yuvan’s album
does not make any impact too.
In overall, other than
the music department, the technical department have given an apt colour to this
sleek thriller.
With excellent set ups,
intelligently packed twists and sleek treatment, Samar results in a neat action
thriller which excites till it last.
Verdict: An
honest, edge of the seat thriller
Rating: 3/5
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