MARYAN FILM REVIEW
Maryan Film Review
Director: Bharatbala
Casts: Dhanush, Parvathy, Salim Kumar
Music: A.R.Rahman
Language: Tamil
Genre: Romance
Maryan is undeniably one of the most awaited
films of this year and its victorious glory is partially sealed with having
award winning casts and crew lists on its credits. However a film only gets its
due credit if the audiences are ready to embrace the product wholeheartedly.
Having anticipated as an experimental craft, will Maryan be able to strike its
chords with the audiences?
Synopsis
Maryan (Dhanush) is an aggressive fisherman
who worships the sea as almighty. After a bumpy emotional scuffle, he falls in
love with Panimalar (Parvathy), a feisty young lady who is crazy about him
since young. Meanwhile, Theekurisi (Vinayan), a local moneylender, sets his
eyes on Pani and blackmails her father (Salim Kumar) to get her married to him
to waive his huge debt away. To settle the debts, Maryan decides to work at
Sudan for two years. However, that eventually becomes the most regrettable
decision ever. Story – Screenplay
Bharatbala have taken a simple story of revival
and treated it poetically. He have in fact managed to capture each moments of
the story in a visually enchanting manner where it connects emotionally through
its visuals. A representational concept of screenplay is never an easy task but
Bharatbala have proved himself as an exceptional visual storyteller.
Be it the way he uses the sea as a symbol of
strength for the protagonist or the lurking cheetahs to portray the instability
of an human mind, Bharatbala’s attempt to breakaway from normality is
praiseworthy.
However, the Sudanese terrorists’ purpose to
kidnap Maryan is illogical and undefined. Shooting the sky unnecessarily and
shouting at the top of their voice looks unfortunately amateurish. Baharatbala,
as a director with such an eye for visual details, could have reviewed this eye
soring glitch in the script.
The languorous pace might test a section of
audience but the breath taking visual and audial design of the film, packed
with realistic performances does keeps you hooked till the end.
Casting & Performance
With four award-winning actors (Dhanush, Parvathy, Salim Kumar & Appukutty) sharing the same screen, Maryan gets enlightened further with lifelike portrayal of characters. Dhanush have portrayed his role with great dedication and physically strained at many scenes post interval. Only few actors in the industry are able to fully incept audiences mind to forget the actor but see them as a character and Dhanush definitely posses that ability. Undoubtedly, he could award bell ringing again this year.
Parvathy is simple yet comes up with a
powerful portrayal of Pani especially at the second half. She pulls the
audiences towards her yearn for Maryan’s return. Salim does reasonably well in
his brief role.
Other casts such as Appukutty, Jagen and Uma
Riyaz have done well too and the deserving credit goes to Bharatbala for
directing the casts perfectly.
Technicality
Technically Maryan
soaks us with sheer with its majestically inclined cinematic experience.
Be it, Marc
Koninckx’s precise and enchanting slow speed shots or the subtle earthy tones,
he gets us blown away striking us with Goosebumps. Credit also should be given
to editor Vivek Harshan for intelligently piecing this epic.
A.R.Rahman’s BGM and
music proves why he is an Oscar winner. He lets us witness his untainted
brilliance and shows us what he can do if he is let by his will. He immerses us
with an out of the world experience with his simple yet poetic sound. Simply intoxicating!
Acclaimed sound
engineer Kevin J. Doucette does well in replicating the natural sounds of the
shore but the dialogues sometimes sound as live recording. Inconsistent sounds
of the dialogues do stand out clearly.
Maryan might not be a film for all, but cinema lovers has plenty of reasons to embrace this technically majestic experience that Bharatbala has sincerely created.
Verdict: Resurrection of love,
pictured poetically
Rating: 3.5/5
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