PAAYUM PULI (2015)
PAAYUM PULI (2015)
Casts: Vishal, Kajal Agarwal, Samuthirakani,
Soori
Music: D.Imman
Language: Tamil
Genre: Action Thriller
Music: D.Imman
Language: Tamil
Genre: Action Thriller
Vishal’s Paayum Puli finally
pounces after the major hiccup from Producer’s council and the expectation is
sky high on this ‘Pandiya Naadu’ team.
With aggressive promotion and anticipation will this tiger pounce as high as it
wanted?
Synopsis
Jayaseelan (Vishal) arrives Madurai for an
undercover mission to eradicate the local goons who have been extorting
business tycoon and systematically killing the ones who don’t pay up. One of
them who falls prey to this is Jayaseelan’s ladylove’s Soumya’s (Kajal Agarwal)
father. In midst of this operation he discovers that there is one mysterious
leader to the entire chain of killing. Who is it? How do Jayaseelan tracks down
the main kingpin forms the crux of the film.
Story
–
Screenplay
From
the first frame itself, Paayum Puli establishes
itself as a violent investigative police story and it travels as such too. But
the problem is this investigative track doesn’t really accelerate in graph. Another
major hindrance comes in form of the forced insipid love track that disappears
literally towards the second half.
However,
what makes us sit up and wathc is the pre-interval twist which promises a whole
load of thrills but again falls flat a little post interval before picking up
in the climax. ‘Paayum Puli’ also
goes over the realism line and hits the melodramatic cymbal quite frequently.
Yes, Suseenthiran’s usual realistic raw world is still present in this but the
convenience of violence in it looks unnecessary and unconvincing.
On the brighter side, the dialogues at the climax
portions are powerful that will stay in the audience mind even after the film.
His touch on several social issues of money swindling network and the
connections are noteworthy.
Having said that, there is nothing particular to
point out in this film negatively but at the same time nothing to take away or
praise too. At the end credit, the
audiences are left clueless on how to react to the film.
Casting
& Performance
Vishal
cakewalks his role that is blatantly same as many of his previous flicks. He
excels in stunt sequences and dance. The climax portions throw some sparks of
his acting prowess too. But it’s time that he reinvents himself and tries
different types of films.
Kajal
Agarwal does another typecast masala-film heroine and follows the format
strictly. Similarly Soori has also been wasted in a limited role.
Samuthirakani
undoubtedly stole the show by his impressive versatility and character traits
created by Suseenthiran. It will never be an overstatement to say that he even overpowers
Vishal at most of the scenes. If not for him, the film might have lowered a
step more.
Technicality
Technically
‘Paayum Puli’ is quite decent.
Editor
Anthony’s cuts are effective, fast and add on the extra edge to the screenplay.
Cinematographer
Velraj who plays a cameo in the film gives some warm, interesting visuals
especially during night scenes and the shoot out sequences.
D.Imman’s
scores well with stylish, edgy BGM that definitely make the film more thrilling
especially at second half. However all the songs except ‘Puli Puli’ song, look mercilessly forced into the narration.
Bottomline
Despite
the racy second half, Paayum Puli suffers from a mediocre screenplay, which
doesn’t really pick up till the very end.
Verdict:
Movie
Rating: 2.5/5
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