PULI (2015)
PULI (2015)
Casts: Vijay, Sridevi, Sudeep, Hansika, Shruthi Hassan, Prabhu, Thambi
Ramiah, Robo Shankar, Sathyan
Music: Devi Sri Prasad
Language: Tamil
Genre: Action Fantasy
Music: Devi Sri Prasad
Language: Tamil
Genre: Action Fantasy
After
numerous roadblocks for the film, ‘Puli’
has overcome them all to hit the screens on time. With the interesting combo of
Vijya-Chimbu Devan, the film has garnered a lot of interest, thanks to the
exciting promos as well. With humongous expectations to fulfil, will this ‘Puli’ soar high?
Synopsis
Maru
Dheeran (Vijay) is a young man who stands up for the people against the
‘Vedhalam’ warriors (inclined with super powers) with his pure wit. One day,
his ladylove, Pavazhamani (Shruthi Hassan), is abducted by the Vedhalam
warriors for a ritual. Maru Dheeran decides to go the fortress to rescue her by
drinking a potion that will give him super powers for every eight minutes. He
disguises as a ‘Vedhalam’ and enters the fortress as a medic. However, he faces
much more bigger challenges through the evil queen, Yavanarani (Sridevi) and
Jalatharangan (Sudeep). How Maru Dheeran overcomes the obstacles and save his
ladylove, forms the crux of the story.
Story
–
Screenplay
‘Puli’ is definitely will fall in the least
substantial film of Chimbu Devan with a wafer thin plot which merely dependant
on the presentation. Not necessarily a sin, but in ‘Puli’ it falls prey to too many commercial temptations.
The
core problem lies on the tried and tested, hill old storyline that somehow
becomes predictable even after the very first scene. The film is neither on the
fantasy side or a typical commercial movie side and the attempt to mix has
backfired. The comical scenes look forced and leaves us barely tickled. ‘Puli’ also has too much of speed
breakers with song being thrown aimlessly that harms the flow of the
screenplay. The first half takes its time to settle in with a few forced comedy
scenes, insipid romantic scenes and dreary fight scenes.
Unfortunately,
the film also meanders around a thin line between spoof and serious fantasy. The ‘Vedhalam’ warriors that are supposed to
be scary, fall flat whereas the magical aspects look unimaginative. Chimbu Devan who is known for his
terrifically thought provoking dialogues, has shifted away from his style,
crafting loads of ‘punches’ to solely suit the lead actor’s image. Despite
having many characters, the film does not give a proper purpose or traits for
them. The flashback ‘twist’ scene is the biggest drawback, as it looks
melodramatic and exaggerated.
On a brighter
note, we do see Chimbu Devan’s traces of brilliance through the climax where he
combines all the small characters he has introduced from the beginning to aid
in Maru Dheeran’s final quest. The second half is better than the first with
few tensed moments. Chimbu Devan has also designed few fantasy creatures along
the story that will definitely please the younger audiences.
Even
though. ‘Puli’ might not be the best
fantasies in Indian cinema, kudos for Chimbu Devan’s attempt itself, on dealing
with a big quest that comes with the genre.
Casting
& Performance
‘Puli’ is loaded with stars from upcoming
celebrities to celebrated veterans of Indian cinema.
Vijay
should be certainly commended for his experimentation in a different genre. As
usual, he excels in dance sequences and breath-taking stunts. However, one
might feel that due to his inconsistent characterization, his performance is
somehow limited.
Sridevi
who comes only from second half onwards, looks convincing and majestic as the
evil queen but looks worn out with a rigid performance. ‘Kiccha’ Sudeep does
what he is best in by playing the main baddie in the film. His hard work in
stunt sequences is evident and noteworthy. However, his one directional
characterization becomes feeble by the time we hit the climax.
Shruthi
Hassan and Hansika look a million dollar with the former getting more scope for
acting. The comedy duo Thambi Ramiah and Sathyan has done a fair job, evoking
occasional laughs. However, Robo Shankar, Imman Annachi and Vidyaulekka as the
‘Lilliput’ are way more impactful than them despite having very less screen
space.
In
overall, with a star-studded casts ensemble, if only Chimbu Devan has packed
with more substance and dimensions to the character, ‘Puli’ might have gone to another level.
Technicality
‘Puli’ scores the most here with talented,
well-collaborated technical team.
Natty’s
camera work is the biggest plus of the film. With the right tone and lighting,
he brings in extreme lavishness in each frame. His camera works in fight scenes
and establishing Arial shots are arresting. His majestic angles for the second
half portions do elevate the dried content at times.
VFX by
Kamalakannan is one of the positives of the film as well. The blending during
the fight scenes and songs are better than most of the Indian films we have
seen. The giant tortoise and Lilliput are the key aspects among them. Undoubtedly,
a great work by the entire team with a limited budget.
Dance
choreography by Raju Sundram and Sridhar is innovative with a tint of magical
element. The make-up and costume for all the casts are carefully chosen and
designed, complimenting the texture of the characters. Sridevi and Hansika’s
costumes look the best among all. However, one might just wonder why Shurthi
Hassan is spotted with such luxurious costumes despite coming from a poor
family.
The
only downer is Devi Sri Prasad’s music that does not match the excellent
visuals presented. As a period fantasy flick, the music does not sound or suit
the theme at all too. Among the songs, ‘Jingiliya’ sounds exciting but
unapologetically acts as a major hindrance to the narration. Editing by Sreekar
Prasad is neat but could have trimmed it shorter.
In
overall, Chimbu Devan must be praised for his excellent rapport with the
technical team bringing in the excitement in visuals, needed for a fantasy.
Bottomline
Despite
the exciting visuals and star casts, ‘Puli’ suffers from a meandering
screenplay that prefers style over substance.
Verdict:
Rating - 2.75/5
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