SAKALAKALA VALLAVAN REVIEW
SAKALAKALA VALLAVAN (2015)
Director: Suraj
Casts: Jayam
Ravi, Trisha, Soori, Anjali
Music: S.Thaman
Language: Tamil
Genre: Comedy
Music: S.Thaman
Language: Tamil
Genre: Comedy
Coming
from the school of Sundar.C, director Suraj is also known for his comedy
entertainers laced with the right amount of action, sentiment and generous
amount of glamour. In a critical time where Indian cinema is changing its
colour to appeal universally with innovative themes, will ‘Sakalakala Vallavan’
manage to stand against time?
Synopsis
Sakthi (Jayam
Ravi) and ‘Chinnabuthy’ Chinnasamy (Soori) are relatives cum foes from a
village in Tenkasi. It’s love at first sight for Sakthi when he sees
Chinnasamy’s ‘athai ponnu’ Selvi (Anjali). After few duets and tussle,
Chinnasamy gives up and falls in love with Sakthi’s, ‘athai ponnu’, Divya
(Trisha) who returns from overseas. As Sakthi and Cinnasamy come to agreement
to unite their respective love with each other, the story forces its way to a
twist where Sakthi marries Divya due to circumstances. The clash of cultures
and how the couple survive the marriage forms the crux of the story.
Story –
Screenplay
Suraj
publicly announced in the press release that ‘Sakalakala Vallavan’ has no story
and it’s clearly evident from the first frame that this is a film that we
shouldn’t take seriously. However, Suraj has clearly forced a message through
hill old sentiment scenes duplicated from the 90s classics which kills off the
intention completely. From the start, the film flows with illogical scenes to an
extent where the audience might question the motive of the scenes.
Even
though a notch lower than his previous films, Suraj yet again becomes a culprit
in crafting mindless crass comedy. There are plenty of aimless scenes written
just to objectify women. In a time where good-natured women-oriented films are
taking course in the industry, Suraj’s eye of showing women is degrading. None
of the characterization is strong, making the twists look rather puzzling.
Enough
said about the wafer thin story, the only saving grace of the film are the
dialogues and its perfect placement. Suraj certainly scores in them as usual.
If
only the double meaning crass nature and weak characters were avoided,
‘Sakalakala Vallavan’ might have ended up as a family entertainer.
Casting & Performance
Jayam
Ravi cakewalks his role and he oozes with energy, be it during the dance
sequences, stunts and comic timing.
Soori
and ‘Motta’ Rajendran are certainly the pillars of the film with the latter
impressing with terrific comedic timing. However Soori’s dialogue delivery is
becoming repetitive. Vivek in a guest role comes on screen with a bang but
fades out again due to weak writing. Suraj-Vivek magic is unfortunately missing
here.
The
lead ladies Anjali and Trisha share screen equally with the former being
extensively used for glamour purpose. It’s a pity to see a 3 times Filmfare
award winner and a National Award Nominee, Anjali, wasted in such a feeble
character. The ever young, Trisha looks ravishing as usual but again lacks
scope to perform in an underwritten role.
Suraj
has carefully chosen big names for all the characters but fumbles to utilize
them to the fullest of their potential.
Technicality
Cameraman
U.K. Senthil Kumar overloads each frame with plenty of colours and high-key
lighting, aiding the Telugu flavour envisioned by director Suraj. However, to
aid that vision, editor Selva has opted for flashy editing which does become
tiring to watch after a while.
Music
director, Thaman recycles his Telugu hit tunes that do pump up the mundane
story a little. All the songs are shot and choreographed with full of energy.
In
overall, Suraj has presented the film with heavy Telugu flavour that at times
backfires.
'Sakalakala Vallavan' is nothing but another tiring
extension of Suraj's crass comedy laced with his regular (women objectifying)
masala elements that blatantly forgets an important ingredient called 'logic'.
Verdict: Tiring watch
Movie Rating:
2/5
Director’s crown – SURAJ :
By Kannan Vijayakumar
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