VAASUVUM SARAVANANUM ONNA PADICHAVANGA (VSOP) REVIEW
VAASUVUM SARAVANANUM ONNA PADICHAVANGA (2015)
Director: M.Rajesh
Casts: Arya,
Santhanam, Tamannaah, Vidyulekka Raman, Bhanu
Music: D.Imman
Language: Tamil
Genre: Romantic Comedy
Music: D.Imman
Language: Tamil
Genre: Romantic Comedy
VSOP – the cheeky creative title says it all about
the flick created from the makers of ‘Boss
Engira Baskaran’. Promising comedy flick director, Rajesh is back to his
“booze-love-bromance” formula after the major downer in ‘All in All Azhagu Raja’. With
a great sense of determination (and desperation), Rajesh has to give a hit urgently
to be back to the league of leading directors. Will he prevail?
Synopsis
Vasu
(Santhanam) and Saravanan (Arya) are thick friends since young and they own a
mobile phone shop named, “VASA mobiles”. Vasu enters the wedlock and
unfortunately his wife set a condition to Vasu to break ties with Saravanan.
What Vasu does next and whether he chooses marriage over friendship forms the
crux of the story.
Story –
Screenplay
When it comes
to Rajesh films, audience only expect a thread of plot, pages of countering
dialogues laced with couple of mediocre songs touching the climax line with an
abrupt quirky scene. Yes and this VSOP is just that. But the problem is, that’s
all it does.
Rajesh who is
known to engage audience have desperately counted on wafer thin storyline
circulating around his same debate of ‘friend or girlfriend’. With just a small
idea, Rajesh churned our ‘Oru Kal Oru Kannadi’ that was a blockbuster and the
same idea was conveyed in the recent ‘Nanbenda’. The below average performance
of that film should is a big warning sign that this idea has worn off among the
audience.
The film does
not really reaches any form of stake that stirs up the emotions of the
audience. In addition, Rajesh rudely throws in insults to obese people during
the second half in the name of comedy expecting the audience to relate. Yes, it
does leave the audience in splits for that moment, thanks to the perfect
marriage of Santhanam and Rajesh’s dialogues but in big picture, it is utterly
crude.
On the
brighter side, VSOP has no dull moments and it is perfectly paced. Rajesh as
usual scores distinction with his ever-dependable skill of comedy writing. The
film undoubtedly engages better than his previous film for the 2 and half
hours. But my question here is that how is he going to keep this dying juvenile
formula alive in his next film. Next phase of Rajesh’s career will really prove
his stand in this industry?
Casting & Performance
Santhanam
tops the list here undoubtedly. Without him, VSOP might have just collapsed. Rajesh-Santhanam
chemistry might just even clinch victory over most hero-heroine chemistry in
the current industry. Rajesh have studied the strengths of Santhanam and wrote
according to them. The scene where all enter the house of Vidyulekka’s house to
insult the family is a scream.
Arya
even though complements Santhanam well in comedic scenes, looks really
unconvincing as the ‘innocent and lost’ character. As he progresses in his career, Arya has to
choose films, which suits his age and physique as well.
Tamannah
is the surprise package here as she nails the comedy sequences with her over
exaggerated expressions and animated body language. Vidyulekka on the other end
is another comedy dynamite. However, the episode of insulting obese people is
getting sickening and steals some charm of her. Talented upcoming artiste like
her deserves a better way to perform comedy instead of just being assigned to
physically stereotyped roles. ‘Thamirabharani’ fame Bhanu does well in a
limited role.
Technicality
When
the story does not warrant any visual creativity in comedy, the technical team
might just layback with a snubbed platform to show their true potential. That
exactly happened here.
Nirav
Shah’s rich colours do aid this light-hearted flick. Joining hands with Rajesh
for the first time, Nirav has just given sufficient to support the story
without experimenting much as he usually does.
Acclaimed
music director D.Imman plays extremely safe with similar sounding tracks from
his previous albums. In the four songs, only ‘Luckka Maatidichi’ manages to stick in the mind.
National
award winning editor, Vivek Harshan has edited the existing well-paced
screenplay, very crisply.
Bottomline
VSOP is yet another ‘nostalgic’ mindless comedy
from the successful trio, Rajesh-Santhanam-Arya, which engages at most part.
Verdict: Old jokes in new book
Movie Rating:
2.5/5
Director’s crown – M.Rajesh :
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